WILL & CAITLIN
Will
Snyder and his duet
partner Caitlin
Lynn won CMT’s Can
You Duet competition. Will shares his thoughts about
the journey.
When we made it to the top 25 duos, they
moved us to the Gaylord Opryland Resort. My room was delta 4044, and
I remember when I checked in to the hotel they handed me a map to
find my room. I couldn’t find my room because it seemed like a
mile away through a maze, so me Carlos, and Dave got a bellboy to
help us find our way to our rooms. Camera men were going crazy
videotaping everyone trying to find there way through the confusion
lol. Actually, Camera men was everywhere you’d turn for the
majority of the show. I could be standing out in the hall talking to
one of the contestants, and before you would know it… you’d look
around, and you would be filmed. Once I finally got to my room,
we all found out that Can You Duet wanted us down in a
certain area of the hotel for a mixer to get to know our
competition, and also for the show to split us up into two groups.
One thing that stood out to me was everyone in my group seemed to be
really nice and down to earth. It was relieving to meet everyone and
make friends; it eased some of the stress of losing Belvis in the
first round. I went from feeling alone, to feeling more at home with
the other contestants. Right off I became friends with David Oakleaf,
and Lewis Brice, The Lexington Brothers were a blast to hang with.
Things started looking up, and as I got to know more people… I
really liked about everyone. I met all the singles that night at the
mixer except for the guy they teamed me with lol. I wanted to be put
with a Girl because I thought it would be cool being able to sing in
a higher range, and do some powerful duets. When I was teamed up
with Jared Johnson it was a surprise, I really had hoped that they
would put me with a female singer. But I got to know him very quick,
and he was a blast to hang with. We started singing together and
going over songs that we could do, he sung in a similar range as me
so that was relief. I really liked Jared’s voice, but I noticed
that we didn’t blend that well as singers. But I also knew we had
never met and had never sung together, so I didn’t know what to
expect. We chose to sing “When Will I Be Loved” Every time we
played it, something seemed to be missing. I couldn’t tell what it
was, well when we got to play it for Amy at SIR… I noticed that
she did like our voices, just not together. So I got the vibe that
we would end up being split, so the only thing that I was worried
about was I could be the one getting sent home because I kept
forgetting certain parts in the song. It was great working with
Jared, but when we played for the judges and they split us up… we
both knew it was for the best. We both were very relieved that we
got split instead of being sent home, so once again we were singles.
The only question now was who are they going to put me with now? I
thought that the judges would either place me with Lewis or
Caitlin… When they put me with Caitlin, I already knew we sounded
really good together cause we had sung with each other just goofing
around. Honestly, they could have put me with either one of them and
I would have been happy. Before I knew it, Caitlin and I were
knocking round after round down in the contest. It seemed like every
time we sung for the judges, they loved us more and more. All
through the show I was just hoping to make it in the top 8 duo’s,
when we was still getting great reviews from the judges after the
top 8… things just kept getting harder and harder to believe.
I truly did not think Wild Honey was
going home… I really thought they would at least have made it into
the top 3. When they got voted off, it shocked the crap out of me. I
really thought Caitlin and I would have been sent home before them,
and before I knew it… Caitlin and I were in the top 4 duos. We had
talked and talked about preparing the right time to do a love song,
and it was time to bring out the big guns and take a risk. I had
said when Caitlin and I had first got teamed up that doing a love
song at that point wouldn’t be a good idea. Looking back, I really
believe I was right. I didn’t want to go up on stage with someone
I barely knew and sing a passionate song with them. I knew I
wouldn’t pull it off, I had never done a duet like that before,
and I was afraid that our performance wouldn’t be believable. So
it seemed to make better sense to do a few rocking songs at first,
and in the mean time we would get to know each other enough that it
wouldn’t be an issue. So I talked Caitlin into waiting. When we
made it into the top 4 duos, we knew it was time to do the love
song. We knew that they wouldn’t expect two people that barely
knew each other to pick a love song, especially a Faith and Tim love
song. It was a song that would either make us or brake us. As soon
as we went into the performance of the song, the mood of the
audience completely changed. Everyone went quiet, and we didn’t
know if it was a good quiet, or a bad quiet. As I walked up beside
Caitlin as we were singing, everyone just broke out into cheering. I
looked over at the judges, and they were giving us a standing
ovation. By the time we had ended the song, I was all choked up. It
really meant a lot to get that sort of reaction from everyone. The
Judges loved the performance; Aimee went on to say that it was the
best of the whole show. I never saw that coming!! It felt like we
had won the show that night lol!! That was the first time that I had
ever been mobbed by fans after the show was over. It was so sad to
see the Coppolas get voted off that night, I was so worried that
Joey and Rory was getting sent home. Rory kept saying how worried he
was that they were leaving that night, it had me worried lol. I was
so glad to see them make it; they are like family to me. They got so
close to everyone, they are the kind of people that you could go a
whole lifetime and never meet… They truly are one in a million. I
really believe the last few shows was the hardest because we had
said goodbye to so many duets in the contest that had became so
close as friends. The last 3 rounds of the show was the hardest, I
felt really sad that it all was coming to an end. I found myself
missing some of the other contestants that I had hung out with
everyday. I missed David Oakleaf a lot, David was such a great
stress reliever because we would set around a joke all the time. At
the last show, David and Lewis came… I had hoped they would, and
when the showed up… It really made me want to player as good as I
could. David and I had set around playing “Stupid Boy” on the
guitar different times through out the show… So It was great to be
able to play it up on stage and have Caitlin help me add a female
flavor to it. We played it in a higher key, and split the main
vocals to make the song more personal. It was a blast!! I looked out
in the crowed and David and Lewis looked so proud, dad and mom were
grinning from ear to ear. It always helped me do better when I could
see friends and family in the crowed. For some reason, it would make
it easy to play for the judges.
After Caitlin and I had played “Stupid
Boy,” I felt really good about the performance. I wasn’t sure if
we had did good enough to make it to the top 2 duos, but I knew that
if we got voted off… we had went out with a bang. And honestly we
could have got voted off at that point and we would have walked away
knowing we did a good job. I would have hated to have gotten voted
off because I screwed something up in the song. After everyone had
played, the judges went off to talk over who should be the top 2
duets. Well, I sat down beside Caitlin and she asked me… Do you
want to win? I said yes, but If we don’t… I’m just glad
we’ve made it this far. She smiled and said; well it’s good to
know we both feel the same. We really didn’t think we would win,
but we really wanted to make it into the top two duos. When we found
out we had made it, we was freaked out!! It was so great, but at the
same time… We also had to go up and play another song. We knew
even if we didn’t win, we at least had made it into the top 2. I
loved the song that Sony had picked for us to do “Love Is”
it’s such a powerful message, but it also was a hard song to pull
off. It’s one of those power vocal songs, you have to sing it as
good as or better than the original version… and the original
recording of it was amazing. When we sung it and I seen Brett start
crying, it hit me like a ton of rocks! I had never seen anyone in
the whole show make Brett manning cry. It really meant a lot to know
that we did good enough to have that sort of emotional pull on him.
We worked our butts off to win, and when we did… I didn’t know
what to think. All through the show we kept hearing Rossi start each
show with the lines ” These duos have came in hopes of winning a
recording contract with Sony BMG Nashville” and all through the
contest I would look over at all the contestants thinking, one of
these duos is going to win that. It never crossed my mind that it
was me and Caitlin that would be the ones to walk away the winners.
Brett, Aimee, and Naomi were amazing judges, and they truly gave us
priceless advice throughout the show. It was a great experience
getting to know them and learn from them, I went into this wanting
to meet them and learn as much as I could from them. Not purely for
the fact that its neat meeting a star, I wanted to know what they
thought and how they looked at things. After all, they would know
better than anyone about what it takes to become successful in
music. Can you Duet and the Producers of American Idol
really did us well by handing us those three, they always had
something to tell us to uplift and keep us raising the bar every
round. I started out being intimidated by them, but as I got to
spend time with them in the mentoring sessions, I really got to find
out what they were about and what they wanted. I think where people
can make the worst mistake is not listening to the judges, I seen
people come into the contest thinking they were able to do things
the way they wanted no matter what the judges said… you might be
lucky enough to make it past a round or two being that way, but
somewhere down the line it will get you kicked off. You truly have
to be flexible; the judges are there to help… if they talk, it’s
best to listen. To end the blog, I just want to say that… Can
you Duet has been a great thing in my life. It was by far the
hardest thing I’ve be put through in my music, but it really paid
off. I met people in the contest that I will probably stay friends
with from now on.
CAN YOU DUET????
Naomi
Judd is a judge on CMT’s
Can
You Duet competition.
I must say that I could have never
predicted how this competition was going to turn out. Not that I’m
unhappy with the final choice. In fact when you look at it purely
from inside the music business, the duet with the best chance of
establishing themselves and making a long career as artist were the
winners.
It’s no secret that Joey and Rory were
my favorites. To me they were the most authentic duet on the show
and I loved practically everything they did. After the filming of
the last episode I found out that my masseuse, Richard Valdez and
family, is their next-door neighbor and never told me. It must have
been difficult for him to have kept that secret, but knowing that it
could have impacted the show, he knew it was best not to tell me. My
husband Larry and I just had lunch a few days ago at Joey’s little
restaurant, Marcy Jo’s, outside of Columbia, Tenn. Pork Chops,
mashed potatoes and green beans.
I want to make a public apology to The
Coppola twins. I was too hard on them and in the pressure of filming
the show I misspoke when I said they had no character. What I was
trying to convey, and it was all in the context of their music, was
that I didn’t think they had a specific style or sound. They both
can sing and they are both very talented, pretty young ladies. I
just didn’t hear a unique blend to their voices. In fact, in my
opinion, the twin thing worked against them because they blended too
well. If that makes any sense. I’m sure they will go on and do
very well in the business if they choose to.
I took my position as a judge on the
show very serious. I tried to have fun with it but at the same time
I didn’t want to mislead anyone. Trust me, it wasn’t easy. You
really have to try and remove any emotion from the decisions you
have to make, but it still hurt when we had to cut a duet. I got
very close and emotionally invested in those kids and I wish all of
them success and happiness. - Naomi Judd
KENNY CHESNEY

Why are some segments of the media
painting Kenny
Chesney as a hypocrite after expressing his opinion
about the Academy of Country Music’s entertainer of the year award
being turned into a fan-voted honor? Although he criticized the
ACM’s recent decision to have fans decide the winner through online
voting, he never once claimed (or otherwise hinted) that he hadn’t
used his Web site and fan club to campaign for votes.
The suggestion that Chesney was being
hypocritical was raised in an Associated
Press story that was later used as a point of reference for a blog
on the Los Angeles Times‘ Web site. The truth is that
banner ads and messages to promote voting were prominently featured on
the official Web sites of all five of the entertainer of the year
nominees — including George Strait, Keith Urban, Brad Paisley and
Rascal Flatts. Regardless of how it’s decided, the entertainer of
the year award provides a level of prestige and bragging rights, so
who could blame the artists and their handlers for trying to win?
Chesney’s point was that artists being
forced to lobby and beg for votes is “what they’ve lowered us to,
to get entertainer of the year.” Although Brad Paisley doesn’t
care how the winner is determined, he acknowledged backstage that
various artists “have different levels of organization in their fan
clubs and the ability to win an award.”
I was in the pressroom at the ACM Awards
in Las Vegas and was stunned by Chesney’s candor in answering the
question asked by Peter Cooper of The Tennessean newspaper.
And, trust me, I didn’t feel the vibe that Chesney was dissing his
fans — or any country fans — in making what he referred to as
“an industry complaint.”
In a letter to fans, Chesney says his
views on the fan voting are “something an awful lot of artists and
business people have told me they not only agree with, but something
the entire media room applauded pretty resoundingly after I addressed
it Sunday night.” (You can read Chesney’s letter by clicking on
the “news”
icon on his official Web site.)
KELLIE PICKLER
So,
what have I seen at the CMA
Music Festival this year? Well, that’s as easy as ABC.
A is for Australians - Before the event
officially started, I checked out some international showcases in the
honkytonks of Lower Broadway. Some of it was terrible, and one guy
traveled all the way from Australia to sing “Crazy.” (Um, I think
we’ve all heard that before.) My personal favorite was
Troy Cassar-Daley, with his smooth baritone, traditional bent and
songs reminiscent of Randy
Travis, Doug
Stone and non-silly Joe
Diffie. If I ever get to Australia, hopefully I can hear some
more.
B is for Bluegrass - On the first official
day of the festival, I strolled down to the Sommet Center to hear The
SteelDrivers, a hotshot bluegrass band with a blues influence.
Usually, the quick melodies in bluegrass put a spring in my step, but
this band’s approach is kind of down and dirty - and I love it.
Chris Stapleton is one hell of a singer and it’s always a treat to
hear Tammy Rogers on harmony. Later in the afternoon, I checked out The
Dan Tyminski Band, who were previewing music from an album that
comes out next week. That’s some mighty good pickin’, boys.
C is for Country - Last night I attended
the stadium show with a friend who grew up in the Nashville area, but
has never been to the festival. She loved it, up and down and
sideways. Personally, I get the biggest kick out of Kellie
Pickler and I enjoyed her new songs a lot, too. Overall, this
year’s festival has been a refreshing reminder that country fans in
Nashville have it made. Where else are you going to see Sugarland,
Rascal
Flatts, Taylor
Swift, Jewel
and Montgomery
Gentry, all in one night? Even better, we’ve got three more
nights to go….
MARTINA McBRIDE
Martina McBride (born Martina
Schiff) was born July 29, 1966, in Sharon, Kan., and grew up on a farm
singing country music from the moment she could tiptoe up to a mike.
Before launching her own career on RCA Records, McBride learned about
life on the road by selling T-shirts at Garth Brooks concerts.
Her first album, 1992's The Time Has
Come, stumbled, but the 1993 follow-up The Way That I Am
introduced her to the country audience with the upbeat single and
video "My Baby Loves Me." Another single from that album,
"Independence Day," failed to crack the Top 10. However, by
singing about spousal abuse without coming off as preachy, the song
has since become McBride's signature song. The video earned a CMA
award in 1994, and McBride has rarely released a single since then
without an accompanying video.
The title track from 1995's Wild Angels
became her first No. 1 hit, and she joined the Grand Ole Opry that
same year. She continued to rack up hits -- including "A Broken
Wing," "Happy Girl," "Wrong Again,"
"Whatever You Say, "I Love You" and "Love's the
Only House" -- and captured her first CMA female vocalist award
in 1999.
She took her second CMA female vocalist
trophy in 2002, on the strength of her Greatest Hits package,
with the new singles "When God-Fearin' Women Get the Blues,"
"Blessed," "Where Would You Be" and "Concrete
Angel." a studio album, Martina, followed in 2003. She
also won the CMA female vocalist trophy in 2003 and 2004.
In 2005, McBride covered an album's worth
of country classics on Timeless.
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